Remettre le ciel au-dessus de nos têtes
Sep 29, 2026 - Dec 5, 2026
Foreman Art Gallery of Bishop's University Sherbrooke, Québec

Photo credit:
Camille Lacelle-Wilsey, R...
As part of the “Emerging Artist” series of Pop-Up exhibitions, ArtLab presents, from September 25 to December 5, 2026, the archives of the early phases of the choreographic research-creation project Remettre le ciel au-dessus de nos têtes by Camille Lacelle-Wilsey, a contemporary dance choreographer and performer based in the Eastern Townships, curated by Camila Vásquez.
The exhibition is displayed in the hallway beside the Foreman Art Gallery.
In a social context marked by environmental crises, growing inequality, and the erosion of collective bonds, Camille Lacelle-Wilsey’s multidisciplinary work explores the concepts of interdependence, solidarity, balance, and collective responsibility. What can we do together when our bearings falter?
Drawing on a close dialogue between the body, the voice, and music, this project seeks to envision a collective in which each individual retains their uniqueness while contributing to the whole. Rooted in a choreographic approach that involves creating conditions allowing performers to bring forth their own material, this research-creation leaves room for unexpected relationships arising from the encounter between choreography and improvisation.
Through references, questions, experiments, musical and historical research, images, and notes, the four display cases of the Pop-Up offer a glimpse into a creative process that explores the central question of the work: how can we, together, bring the sky back above our heads?
In a social context marked by environmental crises, growing inequality, and the erosion of collective bonds, Camille Lacelle-Wilsey’s multidisciplinary work explores the concepts of interdependence, solidarity, balance, and collective responsibility. What can we do together when our bearings falter?
Drawing on a close dialogue between the body, the voice, and music, this project seeks to envision a collective in which each individual retains their uniqueness while contributing to the whole. Rooted in a choreographic approach that involves creating conditions allowing performers to bring forth their own material, this research-creation leaves room for unexpected relationships arising from the encounter between choreography and improvisation.
Through references, questions, experiments, musical and historical research, images, and notes, the four display cases of the Pop-Up offer a glimpse into a creative process that explores the central question of the work: how can we, together, bring the sky back above our heads?
Type of exhibition
Temporary
Participation
In person
Type of exhibition
Temporary
Participation
In person